As Jordan reflects on her interactions with a series of black Bahamian women, from the hotel maid "Olive" to the old women street sellers hawking trinkets, she writes: I notice the fixed relations between these other Black women and myself. Nonchalance allows the narrator to come across as non-threatening. The Occupation Stole My Words, June Jordan Helped me to Relocate Them By Darnell L. Moore on March 24, 2016. She merely “decided” that she has “something to say” and anyone is free to listen at their own will. Poems from the Women’s Movement. ↑ 29 June Jordan, “The Creative Spirit and Children’s Literature” in Revolutionary Mothering: Love on the Front Lines (PM Press, 2016). Not even a period concludes this stanza. Born in New York City on July 9, 1936, June Jordan attended Barnard College. [5] When Jordan was five, the family moved to the Bedford-Stuyvesant area of Brooklyn, New York. [23], In 2004, the June Jordan School for Equity (formerly known as the Small School for Equity) in San Francisco was named after her by its first ninth grade class. “Whiteman” and “balckman,” like the titles of two species, are the only indicators of distinction between perpetrators. ↑ 28: Alexis Pauline Gumbs, “June Jordan Solves the Energy Crisis: Love is Lifeforce” in The Feminist Wire, March 23, 2016. She received the Chancellor's Distinguished Lectureship from UC Berkeley and the PEN Center USA West Freedom to Write Award (1991).[29]. “The Occupation Stole My Words, June Jordan Helped Me to Relocate Them.” The Feminist Wire, https://thefeministwire.com/2016/03/june-jordan-and-israeli-occupation/. The act is the same. While the words themselves create a conversational tone, they serve the purpose of explaining an extreme scene of sexual violence. It was followed by 27 more books in her lifetime, and one (Some of Us Did Not Die: Collected and New Essays) of which was in press when she died. In her piece "Nobody Mean More to Me Than You and the Future Life of Willie Jordan,"[19] Jordan criticizes the world's quickness to degrade the usage of Black English, or any other form considered less than "standard". She is among the bravest of us, the most outraged. These radiant histories will be broadcast through a three-month series of seven online public dialogues on the lives of Toni Cade Bambara, June Jordan, and Audre Lorde; explorations in Black~Puerto Rican~Third World Feminist Studies at CUNY now; histories of how CUNY movements created Open Admissions and Ethnic Studies; and present efforts to decolonize CUNY and New York City. She became the director of The Poetry Center at SUNY at Stony Brook and was an English professor there from 1978 to 1989. “June Jordan, Genre Fiction, and Publishing for the People.” The Feminist Wire, https://thefeministwire.com/2016/03/poetry-for-people/. My “Rage for Girls” curriculum will assign you lots of June Jordan, the Black bisexual poet, activist, and feminist. Brought to you by the University of Massachusetts Amherst Departments of Women, Gender, Sexuality Studies and Afro-American Studies. She was also an essayist, columnist for The Progressive, novelist, biographer, and librettist for the musical/opera I Was Looking at the Ceiling and Then I Saw the Sky, composed by John Adams and produced by Peter Sellars. In her 1982 classic personal essay "Report from the Bahamas", Jordan reflects on her travel experiences, various interactions, and encounters while in The Bahamas. In 1967, after running poetry workshops for children in Harlem, Jordan began her teaching career at the City College of New York. Such compassion was at odds with Jordan's experience in her neighborhood of being terrorized by ethnic Irish teenagers hurling racial epithets. She turns to her own voice. Interracial marriages faced considerable opposition at the time, and Jordan and her husband divorced after ten and a half years, leaving Jordan to support their son. June Jordan - 1936-2002 Commemoration of the 40,000 women and children who, August 9, 1956, presented themselves in bodily protest against the “dompass” in the capital of apartheid. She feels for all of us. Action prompts change. The repeated enjambment makes the last line of mere description appear to be an after-thought. [18] Her poetry, essays, plays, journalism, and children's literature integrated these issues with her own experience, offering commentary that was both insightful and instructive. Jordan explores that, as human beings, we possess two very contrasting identities. Presented at The United Nations, August 9, 1978. In 1958, Jordan gave birth to the couple's only child, Christopher David Meyer. This poem crystallizes this devastating moment in a way only poetry can. In 1955, Jordan married Michael Meyer, a white Columbia University student. Library of America, 2009. While the lines “he rammed / what he described as his quote big dick / unquote into my mouth” (Jordan, line 20-23) explains the rape literally. June Jordan. But pathos is a difficult element to master, for the line between too much and too little is fine. White English, in America, is 'Standard English.'" She was an activist, poet, writer, teacher, and prominent figure in the civil rights, feminist, antiwar, and LGBTQ movements of the twentieth century. “I have decided I have something to say” is a declarative sentence, presenting only the fact that the narrator has “something to say” and will most likely say it. FAVORITE (0 fans) Discuss this June Jordan quote with the community: 0 Comments. These radiant histories will be broadcast through a three-month series of seven online public dialogues on the lives of Toni Cade Bambara, June Jordan, and Audre Lorde; explorations in Black~Puerto Rican~Third World Feminist Studies at CUNY now; histories of how CUNY movements created Open Admissions and Ethnic Studies; and present efforts to decolonize CUNY and New York … Jordan published more than 25 works of poetry, fiction, and nonfiction, and she was also a … Notify me of new comments via email. "Bisexuals Worthy of Celebration During Black History Month: June Jordan", https://en.wikipedia.org/w/index.php?title=June_Jordan&oldid=993630249, Lambda Literary Award for Lesbian Poetry winners, University of California, Berkeley College of Letters and Science faculty, Articles with incomplete citations from December 2018, Articles with unsourced statements from August 2015, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Michael Meyer (married 1955, divorced 1965), This page was last edited on 11 December 2020, at 16:54. They selected her through a democratic process of research, debate, and voting. Being a female African American, Jordan was well aware of the stereotypes and prejudices that stood in the way of her narrator. June Millicent Jordan was a Caribbean-American poet, novelist, journalist, biographer, dramatist, teacher and committed activist. But the rape breaches her trust. The narrator, a woman of color, is supposed to trust this organization and those who lead said organization. Jordan was inducted on the National LGBTQ Wall of Honor within the Stonewall National Monument in 2019. [1], After the Harlem Riots of 1964, Jordan found that she was starting to hate all white people. [16] She was not only a political activist and a poet, but she wrote children's books as well. They risk not eating. June Jordan addresses the trauma of rape from an intersectional perspective: she is a woman but she is also black. This document includes all 4 parts of a 4 part meditation on black feminist architecture as informed by the black feminist poet and architect June Jordan. Jordan was born in 1936 in Harlem, New York, as the only child of Jamaican immigrant parents, Granville Ivanhoe and Mildred Maud Jordan. Audio collection of June Jordan, 1970-2000. June Jordan was born in Harlem in 1936 and grew up in Bedford-Stuyvesant, Brooklyn. Jordan is regarded as one of the most significant and prolific black, bisexual writers of the 20th century. Borderlands (1987) June Jordan (1936–2002) Jordan was an activist, writer, poet, and teacher. Listen: “I do not believe that we can restore and expand the freedoms that our lives require unless and until we embrace the justice of our rage,” June Jordan wrote in a column in 1989 for the Progressive magazine. The second is the individual identity that we have chosen[22] once we are given the chance and feel are ready to expose our true selves. Nothing that I learned, here, lessened my feeling of pain or confusion and bitterness as related to my origins: my street, my family, my friends. - June Jordan quotes from BrainyQuote.com "I am a feminist, and what that means to me is much the same as the meaning of the fact that I am Black: it means that I must undertake to love myself and to respect myself as though my very life depends upon self-love and self-respect." Poetry and the Second Wave: Student Curatorial Project, Treading Water: How Small Feminist Periodicals Survived a Financial Crisis, Breaking the Silence: Second Wave Poets and Rape, Dedicated to Our Mothers: Jewish Feminist Literature of the Second Wave, Mitsuye Yamada: A Focused View of Asian-American Second Wave Poetry, Third World Women: Community and Dissonance in the Feminist Poetry Movement, “One of my heroes… is a tennis player:” Female Athletes and Feminism’s Second Wave, This Bridge Called My Back: Restoring the Voices of Women of Color. 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